EmergeNYC alumni—most of them people of color, women, immigrants, and LGBTQIA+ folks—include award-winning playwrights, curators, directors, choreographers, filmmakers, grantmakers, university faculty, arts administrators, healers, educators, and multidisciplinary artists. Many continue to collaborate with each other and with faculty long beyond the program—they’ve formed collectives, created artist residencies, directed each other in plays, made music together, taught together, been fearless together. Kiyan Williams (Emerge ’14) says: “EmergeNYC remains one of the most seminal and transformative experiences I’ve had.” Theater director Ashley Marinaccio says Emerge: “managed to successfully do what so many NY theatre companies talk about (but never come close to) and that is creating a thriving, robust and supportive community for artists.” Below are some of the folks in this collaborative network of 230+ alumni.
Zoe Lukov, 2009
Zoe is an independent curator and performer born and raised in New York City. She currently lives in Los Angeles. For the last six years she has been the Chief Curator at Faena Art in Miami and Buenos Aires. Previously she was International Liaison for the Bienal Internacional de Arte Contemporáneo de Cartagena de Indias, Project Manager at Jeffrey Deitch, Inc. and Curatorial Coordinator the Los Angeles Museum of Contemporary Art (MOCA LA). She completed a 2010 Fulbright fellowship in Colombia.
Zavé Martohardjono, 2011
Zavé Martohardjono is a Brooklyn-based interdisciplinary artist born in Montréal, Canada. Their artistic practice explores geopolitics, social justice, queer glam, embodied healing, and modes of decolonization. Martohardjono studied political economy at Brown University, filmmaking at CUNY City College, and entered dance and performance art in 2009.
Vanessa Cuervo, 2016
Born in Bogotá Colombia, Vanessa is a dancer, curator & cultural producer exploring the connections between identity, collective memory building and rituals of resilience in (but not limited to) Latin America. Working with dance, theatre and film organizations in Toronto, Buenos Aires, New York & Bogotá she has collected a multiplicity of stories. She currently works with film teams strategizing on how to use their documentaries as tools for social change, and connecting them to changemakers and partners that can fuel their impact campaigns.
Tina Wang, 2020
Tina Wang is a performance artist based in New York and California. Identity, fragility, and resilience are key themes in her work, which draws on her experience as a Taiwanese citizen raised in Latin America. By immersing the body around the objects of menial labor, she challenges assumptions about where these objects belong, who belongs with them, and their relationship to living bodies. Her work has been supported by institutions such as Dance/NYC, California Arts Council, The Foundation for Contemporary Arts, Judson Church, New York Live Arts, Governor’s Island, The Exponential Festival, Maiden LA, and The Immigrant Artist Biennial. During Emerge 2020, she was researching ways to expand her toolbox as an artist beyond movement and sound based mediums.
Taja Lindley, 2014
Taja Lindley is a writer and artist based in Brooklyn, New York. She is the founder and Managing Member of Colored Girls Hustle, and a member of Echoing Ida and Harriet’s Apothecary. Lindley considers herself a healer and an activist, creating socially engaged work that reflects and transforms audiences, shifts culture and moves people to action. Her artwork has been featured at the Movement Research at Judson Church series, Brooklyn Arts Exchange (BAX), the Gallatin Arts Festival at New York University, WOW Café Theater, La MaMa, in living rooms, classrooms, conferences and public spaces. See a conversation between Taja and Marlène Ramírez-Cancio.
Stephen Graf, 2011
After many years in the NYC theatre scene, Stephen began pursuing doctoral studies in 2017 at the New School for Social Research, with a major concentration in comparative politics and a minor in global politics. His research interests include the structure of political institutions, inclusiveness in public service delivery, state-society relations, and social movements in India. He has worked in the Permanent Observer Office for the International Institute for Democracy and Electoral Assistance (IDEA) to the United Nations for over five years.
Stephano Espinoza, 2015
Stephano is an artist and educator from Guayaquil, Ecuador. He is the co-founder and director of TrueQué Residencia Artistica, an annual artist residency in the coast of Ecuador. He holds a BA in Social and Cultural Analysis with concentrations in Latinx and Metropolitan Studies from New York University. He was part of the NYFA’s Immigrant Artists Program and the Center for Artistic Activism’s 2016 Art Action Academy. Espinoza has worked at the Queens Museum as a Public Programs and Community Engagement Fellow, as an educator at the Museum of the Moving Image and a teaching artist at Groundswell Community Mural Project.
Sriya Sarkar, 2015
Sriya Sarkar is a digital media producer, comedian, and filmmaker working at the intersection of digital media, comedy, and activism. She has worked with artist Maya Lin for the What Is Missing? Foundation as well as the feminist sleeper cell of riotously funny reproductive rights advocates at Lady Parts Justice. She is the producer of Speakout Laughout, a comedic storytelling show about abortion, as well as lolvote, a comedy variety show and accompanying Twitterbot encouraging youth voter turnout. Currently, she’s the Digital Content Producer for Priorities USA.
Sophia Mak, 2016
Sophia Mak is a Brooklyn based, multi-disciplinary artist and educator. They have had the pleasure of working with young artists across New York City’s five boroughs. Sophia is currently in collaboration with Bex Kwan (EMERGE’16) creating performances which unearth secret histories of foreignness, family mythologies, and kinship in East Asian communities in the United States.
Sol de la Ciudad, 2017
Sol de la Ciudad is a Chicago trans creator based in NYC. Sol has created and collaborated in numerous seasons of shows at Free Street Theatre. From audio engineering to performative efforts she has made mediums concerning the abstraction of how sounds are produced and operating sonically within and without the hands of the State. She is also a member of the radically politicized theatrical group Young Fugitives. A portion of her work can be viewed under the name Sol Patches and 1/2 of collaborative group solYchaski.
Shelah Marie, 2011
With her authentic, rebellious and playful personality and her @curvycurlyconscious movement, Shelah Marie engages an online community of over a quarter million people. Her mission is to create a movement of total self love and liberation for women of color. She’s the creator of the Curvy, Curly, Conscious movement, where “self help” meets “real talk” and has been featured in NBC, Fox5, Luxe Radar, Black Girl In Om, and Live Civil by Karen Civil among others. Prior to Curvy, Curly, Conscious, Shelah led her signature workshop named The Sustainable Theater Workshop to entities such as The United Nations, The United States Embassy in Dakar, Senegal, The RuJohn Foundation, and The African Burial Ground National Monument.
Sara Lyons, 2012
Sara Lyons is a director who seeks to explode form/politic in new, critically embodied theatre and performance works. Working frequently in adaptation, social practice, and new media, their work has been presented by Los Angeles Performance Practice, The Wattis Institute, OUTsider, SFX Festival, Ensemble Studio Theatre, HERE, LaMaMa, Edinburgh Fringe, and more. MFA-Directing, Carnegie Mellon.
Samantha Galarza, 2012
Samantha Galarza is a queer, mixed-race, Puerto Rican, SAG-AFTRA actress, writer, performance artist, educator, and director. Her work explores queer identity, racism, love, substance abuse, the U.S. prison industrial complex, and policy that disproportionately affects marginalized communities. Ultimately a storyteller, her dream is to bridge the gap between mainstream media and progressive “de-colonial” political art. She’s been published in award winning anthologies and performed throughout the U.S. and internationally. She is co-founder of the queer performance art collective A Beautiful Desperation and proud member of Alternate Roots.
Sahar Sepahdari-Dalai, 2019
Sahar Sepahdari-Dalai is an Iranian American video and performance artist. Healing and language are the axes of her practice. She is interested in the metaphorical flux of translation that speaks to diasporic displacement when considering the decolonization of time and space. She is a world-builder and engages her audience in self-reflexive and affective moments of recognition and play. She has performed at The New Museum, Movement Research at Judson Memorial Church, and Performa ‘15 NYC. She also curates a show called Digital Diaspora for digital artists in the Islamic Diaspora centering Black Muslim Artists.
Sacred Walker, 2012
Sacred is the Founder and Executive Director of Kuumba Health LLC. Through her company, Kuumba Health LLC, Sacred developed SoulCare, a model to train care takers, prepare practitioners to use therapeutic drama alongside other holistic methods, grounded in art and ritual, to provide positive impacts on ailments rooted in internalized oppression. Sacred earned her Masters of Divinity (MDiv) from Union Theological Seminary’s, with a specialization in Holistic Psychology, while training as a Drama Therapist. She has written, directed, performed, and co-produced several plays, theater movement pieces, choreo-poems, and stage plays for over 15 years.
Sabina Ibarrola, 2013
Sabina is a Brooklyn-based performance artist, activist, and troublemaker: a dancer and bruja on the path towards becoming a writer and healer, too. Sabina apprenticed with herbalist Robin Rose Bennett of Wisewoman Healing Ways. A graduate of Hunter College and the New York School of Burlesque, she collaborates with the Boston-based Femme Show and Brooklyn’s Heels on Wheels Glitter Roadshow. As a mixed-race Latina femmedyke, her work coalesces around conscious, performative femininity and camp as strategies for resisting racist heteropatriarchy.
Rosary Solimanto, 2017
Activist artist Rosary Solimanto, explores oppression and societal stigmas living with multiple sclerosis evolving into her international artistic career. She approaches disABILITY identity, biology, healthcare and medicine from a humanitarian perspective. Solimanto graduated with her MFA from SUNY New Paltz in 2015 and since exhibited and performed across the US, Toronto, London, Greece, China and Spain, and featured in twelve international museums. Awards include Unlimit Fellowship from Art OMI; Kulakoff Award at SUNY Albany; and the Sojourner Truth Fellowship at SUNY New Paltz. She was a selected for the activist program, Emerge NYC.
Rina Espiritu, 2018
A local of Queens Village, NY with a US greencard and Pilipino passport. This multidisciplinary artist has organized various things but not limited to: public discourse with artists/curator, a physical theater with clickbaity title, solo movement improvisations, solo exhibition of gestural paintings, durational performance in a pond, sculpture with trash and notes, Instagram memes, solo and collective performance art projects, and anonymous dissents. Oftentimes, she daydreams about a borderless and debtless world of a collectively thriving society free from cycle of bad parenting, home and food insecurity, and of historical amnesia/erasure/distortions.
Ricardo Gamboa, 2010 (and Invited Alumni Faculty, 2011)
Ricardo Gamboa is an artist, activist, and academic working in his native Chicago and New York City. In New York, he was a fellow of the Hemispheric Institute of Performance and Politics EmergeNYC program, a company member of the New York Neo-Futurists, and has performed at a range of institutional and underground venues. He is a graduate of the University of Illinois, Urbana; received his Master’s in Arts Politics from New York University’s Tisch School of the Arts; and is currently pursuing his doctorate degree in American Studies at NYU’s Department of Social and Cultural Analysis. His short film “The Southside Has Many Beauty Queens” was a winner of the Best Short at Chicago Latino Film Festival and his feature debut “Maydays” received standing-only crowds and critical praise from the festival. Gamboa is the winner of several awards, fellowships, and grants including a Joyce Award, NEA Artworks Award, MacArthur Foundation International Connections Award and Latino ImPACT Playwrights Award. He is a Playwright-in-Residence at Chicago Dramatists. His current projects include the decolonial and queer webseries BRUJOS and the live news show and podcast, The Hoodoisie.
rexylafemme (rex renée leonowicz), 2017
rexylafemme (rex renée leonowicz) is a visual + performing artist, writer, and healer born and raised in Jackson Heights, Queens. As a working class trans femme, rex’s work is grounded in a politics of radical resistance, healing, and witness. s/he blends genders and genres, using drag/burlesque, comedy, visual art, and voice, to critically respond to the relationships people “on the margins” have with our surroundings and each other. rex’s book of poems and illustrations, when there is no one and there is everyone is available from Magic Helicopter Press.
Régine Romain, 2018
Régine Romain is a photo-anthro-journalist, performer and educator of Haitian descent, who fuses her interests in travel, culture and music to explore both spiritual and tangible worlds. She has 20 years practice in creating, researching, teaching, and supporting diverse communities in engaging and co-creating projects that promote positive representations of their individual and collective identities. Through an extensive global network, Régine produces culturally transformative courses, curricula, workshops, salons, exhibits, festivals, and forums. She is the founder and director of the Urban PhotoPoets, Brooklyn Photo Salon, and the Brooklyn to Benin: A Vodou Pilgrimage projects.
Rebecca Fitton, 2019
Rebecca Fitton is an improviser, facilitator, and citizen. Her work is informed by her experiences as a biracial immigrant and has been presented in NYC at Gibney, Movement Research, Staten Island Arts, Triskelion Arts, LiVEART.US/Queens Museum and Hemispheric Institute’s EMERGENYC at Abrons Arts Center, in addition to many non-traditional performance spaces such as bars, rooftops, gardens and streets across New York, New Jersey, Florida, Wisconsin, and Salzburg, Austria. She has been an Artist-in-Residence at center space (Grand Rapids, MI) part of the 2019 Hemispheric Institute’s EMERGENYC cohort (New York, NY) and is currently a Fellow at LEIMAY (Brooklyn, NY).
randy reyes, 2016
randy reyes is a queer, AfroGuatemalan creative director, choreographer, performance artist, and healer born and based on Lenape & Canarsie territories. reyes is interested in choreography as a process of excavation, task as meditation, psychosomatic Qi Energetics, edging and incrementality, and getting messy by conjuring contemporary rituals within quotidian and natural landscapes. reyes explores the notion of club spaces as sites of generative dissonance and asks, “Are we celebrating or mourning or both? How do we prepare for the emergence of the not yet seen?” reyes is busy developing the infrastructure for a space called La Escuela de Corporealidad y Artes Sutiles (currently supported by Creative Capital) alongside annual programming, PLATAFORMA & Residencias Rhizomaticas. more info coming soon & will be available on their website and social media accounts below.
Rad Pereira, 2018
Rad is a two-spirit Afro-Indigenous, Jewish, Brazilian (im)migrant artist currently based in Lenapehoking (Brooklyn). Their practices range from renegade participatory ritual facilitation, to popular theatrical and TV/film performance, to community based educational artmaking and healing centering an Afro-futurist longing for transformative justice and queer reindigenization of culture. Their work has been supported by over 50 cultural institutions on Turtle Island/ Abya Yala. 2017 NYC Public AiR. Research question: Who gets to live off of making Art under the NYC capitalist cultural model AND how can we decolonize performance through models of participatory storytelling?
Rachel Kara Perez, 2019
Rachel is an award-winning singer, theatre artist, and poet who works across genres and contexts. A member of Actors’ Equity and a Latin Grammy-Nominated musician with a repertoire ranging from opera to Afro-Cuban Jazz, she has appeared as a featured vocalist at Carnegie Hall, Lincoln Center Out of Doors, Jazz at Lincoln Center, Symphony Space, BAM, and The Apollo, among others. Rachel has participated in workshops at Cave Canem and The Leslie-Lohman Museum, where she was published in their magazine, The Archive. She also works as a teaching artist in NYC with refugee youth. Research question: How does adoption identity create complexity with intersecting identities of Blackness, Latinidad, and Queerness?
Polina Porras Sibolovoba, 2012
Polina Porras Sivolobova is a Russian-Mexican multidisciplinary artist based in New York. Her work includes visual arts and performance. She explores narrative using ritual, iconography, technology and nature. She has performed at the Venice Biennale and has been supported by the Mexican Ministry of Foreign Affairs, El Museo del Barrio, The Smithsonian Institute, and the Queens Council on the Arts.
Paul Bedard, 2016
Paul Bedard is a Brooklyn-based theater director. He is an artistic director of Theater in Asylum. His work has appeared at the Hangar, Cherry Lane, IRT, and Dixon Place Theatres, as well as the Prague, Chicago, and Rochester Fringe Festivals. He has collaborated with Bread and Puppet Theater and The Democratic Socialists of America. Paul is a Drama League Directing Fellow and graduated from NYU’s Tisch School of the Arts.
Noelle Ghoussaini, 2011
Noelle Ghoussaini is a playwright, director, performer and arts educator. Her work is dedicated to using arts to examine and re-imagine our society within a political, social and historical context. She has written four original plays and curated numerous devised pieces, which have been staged at theaters, site-specific locations and community gardens throughout NYC. As a director, she has worked with companies such as Culture Project, Noor Theatre, the Jenin Freedom Theatre, New York Theatre Workshop, Sepia Works, Brave New World Repertory Theatre, and the Movement Theatre Company.
NIC Kay, 2009
NIC Kay is a Brooklyn-based artist born in Bronx, New York, NIC Kay is a person who makes performances and creates/organizes performative spaces. NIC’s exhibitions, performances, and publications include Deep-Time Construction, CCA Wattis Institute, CA, 2018. AMERICAN REALNESS Festival, Abrons Arts Center, NY, 2018. Risk Pool, Triple Canopy, 2018. NIC is a recipient of LMCC’s 2018-2019 Workspace Residency, a recipient of an Artist Residency, Pioneer Works, NY 2018; Performing Artist-in-Residence Program, Museum of Arts and Design, NY 2017; Van Lier Fellowship, Movement Research, NY 2017.
Nessa Norich, 2020
Nessa Norich is a director, writer and performer making film and theater. Her work has shown at Joe’s Pub, the Edinburgh Fringe, the New Orleans Fringe, the American Dance Festival and the British Film Institute. Recent: Acting in the online reading of Diana Oh’s My H8 Letter to the Great American Theater. As a queer white Ashkenazi Jewish artist, she seeks to communicate and translate the complexities of identity by juxtaposing fragments of personal history, tradition, myth and ancestry. During Emerge, she was writing a film that assembled documentation of Shelter in Place with the Genesis narrative of the Great Flood.
Nefertiti Asanti, 2015
Nefertiti Asanti (they/she) is a poet from the Bronx and a recipient of fellowships and residencies from the Watering Hole, Queer Cultural Center, Lambda Literary, Anaphora Arts, Winter Tangerine, and the Hurston/Wright Foundation. Nefertiti’s work can be found at AfroPunk, Foglifter, Santa Clara Review, Split Lip Magazine, and elsewhere. During Nefertiti’s time at EMERGE, Nefertiti’s research asked: What can intergenerational experiences of Black menstrual pain tell us about healing ourselves?
Natalie Cook, 2018
Natalie Cook is a filmmaker, playwright, and poet. She has been a spoken word artist since the age of 13 and has shared the stage with artists such as Nikki Giovanni, Sonia Sanchez, Saul Williams, & MC Lyte. Natalie founded Atlanta Word Works (501c3). She is the writer and director of MANIKIN, an interdisciplinary theatre production that explores gender relations between Black men and Black women living in modern day America. Natalie obtained her Master’s at NYU.
Natacha Voliakovsky, 2019
Natacha Voliakovsky (Buenos Aires, 1988) is a political performance artist, feminist, and activist who has been performing around the world for the last 10 years. Her work revolves around the concept of culture as a humanizing system and the deconstruction of the social body, and raises awareness on issues regarding gender identity, body sovereignty, and women’s rights. She has taken part in the Venice International Performance Art Week workshop, Ûberbau Haus residency (Brazil), and Sur Polar residency (Antarctica). She is Director of Argentina Performance Art, the first research platform on performance art in Argentina.
Monica Furman, 2018
Monica Furman is a multi-hyphenate artist and conflict mediator. She was raised in Brooklyn by her Jew-ish Russian-speaking family from Ukraine, so she’s working out her dual-identity crisis by being an artist instead of a doctor like her babushka wanted. Monica’s most recent work includes The Waiting Room for the ASHTAR Theatre Festival in the West Bank and TBD: The Live Devising Project at FringeNYC. Her bilingual TV pilot, First Jen, was recently the winner for Pickford West’s Pitch Fest and a finalist for the Orchard Project’s inaugural TV Episodic Lab. At Emerge, she investigated the intersection of immigration and the gig economy.
Mon Iker, 2013
Mon Iker is an interdisciplinary artist devoted to elevating feminist, social, and environmental justice issues. Their work spans a variety of media, including street art, photography, performance, animation, film, and traditional herbalism. They combine experience in visual media making with knowledge of strategy, operations, and arts administration with and within social and environmental justice nonprofit community-based organizations, museums, and movements. Their artistic endeavors have shown internationally, been featured in the New York Times, and their arts administration work ranges from facilitating the growth of the world’s only queer museum to managing mural programs for detained young people on Riker’s Island.
Mieke D, 2009
Mieke is a queer mixed race femme of Asian and European descent, who seeks to investigate how a diversity of styles can or cannot co-exist in a performative space, hunting for cohesive narratives and aesthetic harmony while traveling through a vast terrain of fragmentation. Mieke studied at the Experimental Theater Wing at NYU. She has performed with La Pocha Nostra, the Theater of a Two-Headed Calf, Target Margin Theater Company, and Taylor Mac, among others, and she has worked on numerous community-based theater projects with Cornerstone Theater Company and The Foundry Theatre Company.
Mette Loulou von Kohl, 2013
Mette Loulou was born from the orange at the center before the new world came. She is a performer and a wanderer. Currently living on the unceded land of the Lenape people, now colonized as New York City, Mette Loulou is a queer femme, of Lebanese/Palestinian and Danish ancestry. She has lived in New York, Romania, Morocco and Denmark. Mette Loulou is fascinated by the intersection between her personal identities as a jumping off point to reveal, dismantle and rebuild realities and dreams. She uses performance as her first step to understanding and surviving generational trauma and as a key tool in her fight to end the occupation of Palestine. She exists in two places at once.
Mercy Viola Carpenter, 2018
Mercy is a young Black and Native American nonbinary femme from Brooklyn, New York. They are passionate about land sovereignty, reclaiming ritual and healing intergenerational trauma. Mercy incorporates these values as a stand-up comedian, dancer, visual artist, capoeirista, Reiki practitioner, actor, singer, food justice activist and educator. As an educator and performance artivist, they use interactive theatre-based activities to address social and environmental issues. Mercy has been community organizing, teaching and developing curriculum for ten years to complement their performances. Stay Tuned.
Melanie Greene, 2014
Melanie Greene is a dance artist, writer, and podcast host. She is no stranger to swirling on the edge of impossible, swimming in the sea of the minority. She has received generous artistic support from MANCC, Marble House Project, Brooklyn Studios for Dance, New York Live Arts, Gibney Dance, Actors Fund, BAX, Dancing While Black, Bogliasco Fellowship, and Brooklyn Arts Council. Greene is a contributing writer for Dance Magazine, co-host of the Dance Union Podcast, and Movement Research Artist in Residence. Research question during EMERGENYC: How does my artistic practice live in conversation with my activism and advocacy work?
Megan Paradis Hanley, 2009
Megan Paradis Hanley has worked in theater in New York and internationally for the past ten years. She is Co-Artistic Director of The Syndicate, an ensemble theater company that produces new plays by women, queer, and trans artists. As an international network, The Syndicate seeks to expand professional opportunities in the field for both company members and fellow artists. The company’s work advocates for diversity, both in how we tell stories and whose stories we tell. With Man Meat Collective, she was an invited artist in the 2014 and 2015 editions of Squirts: New Voices in Queer Performance, curated by Dan Fishback at La MaMa. She holds a Master’s degree in Performance Studies, and she has trained and taught with SITI Company since 2010.
Mauricio “Cio” Alexander, 2019
Mauricio Alexander is a first-generation bilingual artist of Latin American and East European roots. A graduate of Oberlin College and the New York Conservatory for Dramatic Arts, he has performed at the US Social Forum, Kennedy Center, D.C. Hip-Hop Theatre Festival, Puerto Rican Traveling Theatre, Symphony Space, and Public Theater. A SAG-AFTRA member of the National Association of Latino Independent Producers, his original work has appeared at the HBO New York International Latino Film Festival, on television, and in new media. Mauricio is an Actors’ Equity 2018 recipient of the Actors’ Fund Push Grant and teaching resident artist at The Schermerhorn.
Mary Notari, 2011 (and Invited Alumni Faculty, 2014)
I am a multidisciplinary theater artist, cultural activist, and dork. I firmly believe in live art and non-violent direct action as sites of world-making, radical empathy, and resistance. I have presented solo physical theater work and cabaret and I have appeared as an actor, physical theater artist, and puppeteer in independent theater productions. I worked with the culture-jamming collective The Yes Men as an idea producer, performer, and media strategist. With their non-profit the Yes Lab, I facilitated workshops on satire, narrative-building, and artistic activism. I continue to participate in grassroots activist spaces in NYC with a particular interest in anti-racism, anti-gentrification, and environmental justice.
Marta Jovanović, 2013
Marta Jovanović (b. 1978, Belgrade, Serbia) constructs scenarios in which she interrogates politics, identity, beauty, and sexuality. Jovanović received her Bachelor of Arts degree from Tulane University in 2001 after attending Scuola Lorenzo de Medici, in Florence. Her works have been presented in institutions such as Museo Pietro Canonica and Museo della Civiltà Romana, both in Rome; G12HUB, Belgrade; Studio Marina Abramovic at Location One, New York; and Centre Culturel de Serbie, Paris, among many others.
Mariam Bazeed, 2017
An Egyptian immigrant living in Brooklyn, Mariam Bazeed is a performance artist and alliteration-leaning writer of prose, poetry, plays, and personal essays. They have an MFA in Fiction from Hunter College; have been awarded fellowships from the Center for Fiction, Asian American Writers Workshop, Hemispheric Institute for Performance and Politics at NYU, and Lambda Literary; and residencies from Hedgebrook, Marble House Project, the Millay Colony, and the Kimmel Harding Nelson Center.
Maria Schirmer, 2011
Maria Schirmer is a theater artist, writer and arts educator. She has received a Gallatin Global Human Rights Fellowship with the Jana Sanskriti Center for Theatre of the Oppressed in Kolkata, India and was an artist in residence at the Women’s International Study Center in Santa Fe, New Mexico. Currently she is a member of the movement installation ON DISPLAY with Heidi Latsky Dance, which has been performed at Lincoln Center, the Whitney Museum, and the United Nations.
Mare Berger, 2015
Mare has been playing the piano for 34 years and writing music for a loooong time too. Mare believes in the importance of creative collaboration and community to help stop fascism and oppression and facilitates workshops called: Collective Songwriting for Collective Liberation. For many years they curated The Moon Show which featured underrepresented artists, and helped start The Moon Choir, a monthly song-share for queer and trans folk. Mare has played at the Jazz Standard, The Bitter End, and in the pit for the Broadway musical Evita.
M. Liz Andrews, 2011
Liz Andrews is an artist, curator, and scholar. She received her PhD in Cultural Studies from George Mason University in May 2019, where she explored the spectacular ascendancy of Obama to the U.S. presidency through three visual archives: presidential portraiture, three contemporary photographic projects, and images from Twitter. Liz has served as an arts administrator at the Los Angeles County Museum of Art (LACMA), the Tisch School of Arts, NYU, and community arts organizations in her hometown of Denver, Colorado. Liz holds BA in American Studies from Wesleyan University and a MA in Arts Politics from NYU.
Luisina Quarleri, 2009
Luisina is an actress, singer and dancer originally from Argentina. She’s performed internationally; notable credits include: Carmen (directed by Franco Zeffirelli) at L’Arena di Verona, Italy; Shrek The Musical (Buenos Aires, Argentina); Midsummer Night’s Dream (Madrid, Spain); Limitless (with Bradley Cooper and Robert De Niro); Coyote Lake (with Oscar nominee Adriana Barraza and Riverdale’s Camila Mendes); VH1 Save the Music with Tony Bennett; Edha on Netflix. She studied theater at NYU Tisch School of the Arts and The William Esper Studio. She speaks English, Spanish, and Italian fluently and currently lives in Los Angeles.
Lolo Haha, 2014
Lolo Haha (he/him) is an organizational consultant, conflict mediator, and communication skills trainer based in Portland, Oregon. He works with companies, nonprofits, and community groups to develop creative, collaborative, conflict-positive cultures within their teams. His unique combination of skills in Liberating Structures and Process Work center fun and lightness in the context of teamwork and emphasize the potential for transformation and generative organizational change through times of conflict. In his creative work, Lolo explores the means of deep personal and social transformation through community ritual performance.
Lilian (Lily) Mengesha, 2011
Lily is a director, dramaturg and assistant professor of race and performance in the Department of Theatre, Dance and Performance Studies at Tufts University. Her research focuses on contemporary indigenous performance art of North and Central America, particularly on art that address legacies of violence against women. In her performance work, she aims to make legible temporal scales of memory as measured through social and ecological difference, as in “manifestroom” (2014), “an emotion is a sign that something has shifted” (2016) and her current devised work that focuses on the history of the ocean.
Leslie Guyton, 2008
Leslie Guytonis a dance and theater director based in Brooklyn, NY. She’s the Co-Founder and Artistic Director of The MoveShop. She choreographs, directs and teaches throughout the US and internationally. The MoveShop’s Racine D’or, toured the US in the fall of 2013 and was funded in part by South Arts in partnership with the National Endowment for the Arts. She was a master teacher at the International Contemporary Dance Lab in Chelyabinsk, Russia in 2013. She assistant- directed Under Construction with Anne Bogart and SITI Company in 2011 at New York Live Arts.
KT Pe Benito, 2019
Faustina KT Pe Benito is a nonbinary queer Filipinx, a Filipino man, and a white woman. They earned a BFA at Cooper Union (2016) and were a recipient of the Osage Nation Higher Education Scholarship. They have exhibited their work in New York City, including group exhibitions at David Dale Gallery, Glasgow, Scotland (2019), Abrons Arts Center, New York, NY (2019), Queens Museum, Queens, NY (2018-19), Flux Factory, Queens, NY (2017), and Long Island City Arts Open, Queens, NY (2017). They have performed at Knockdown Center, Queens, NY (2019), Performance Space, New York, NY (2018), among others.
Kiyan Williams, 2014
Kiyan Williams is a multidisciplinary artist from Newark who works fluidly across sculpture, performance, painting, and video. Their work has been exhibited at SculptureCenter, The Jewish Museum, Brooklyn Museum, the Shed, and more. Kiyan earned a BA with honors from Stanford and an MFA in Visual Art from Columbia. They were selected to participate in the 2019 In Practice emerging artist exhibition at SculptureCenter. Kiyan is the 2019/2020 recipient of the Fountainhead Fellowship at Virginia Commonwealth University. Research questions during Emerge: How can performance and sculpture unearth Black queer and trans embodiment? What are the aesthetics of decolonization, resistance, and recovery?
Kirya Traber, 2012 (and Invited Alumni Faculty, 2014)
Kirya Traber is an actress, playwright, and cultural worker. She is currently an Artist in Residence at Lincoln Center Education, and is on faculty at the School of Drama at the New School. Kirya received her MFA in Acting from the School of Drama, is the recipient of the California Governor’s Award for Excellence in the Arts, Robert Redford’s Sundance foundation award for Activism in the Arts, an Astrea Lesbian Writers Fund award for Poetry, and is a former judge for the LAMBDA Literary Awards in LGBT Drama.
Kelsey Pyro, 2016
Kelsey Pyro is a St. Paul and Minneapolis-grown/Brooklyn-based producer, singer/songwriter, poet, and educator. Her work often encompases healing processes and her identity as a Black and Ojibwe Native American Woman. Kelsey has performed at venues such as The Last Of The Record Buyers at SoundSet and TEDx AIU. She has shared bills with Wale, MC Lyte, Trak Girl, and more. She received the 2018 and 2019 Brooklyn Arts Council Community Arts Grant for co-producing the Blue Nile Jam Session. Kelsey premiered her new work, Makadewiiyaasikwe, in June 2019 for The Shed’s Open Call artist residency.
Karina Claudio-Betancourt, 2009 (and Invited Alumni Faculty, 2010)
Karina Claudio Betancourt is a Program Officer with the Open Society Foundations, where she is the project director for OSF’s Puerto Rico Project. She is a skilled community organizer with several years of management, advocacy, policy analysis, fundraising and grant writing experience. She has particular experience working/organizing to empower low wage workers, immigrants, LGBTQ individuals and individuals living in the intersection of these identities. During her time in EmergeNYC, she was working at Make the Road New York.
Julián Mesri, 2010
Julián Mesri is a New York-based Argentinean-American writer and composer who makes multilingual plays and musicals in the US and around the world. He is a current member of the Public Theater Emerging Writers Group and received a 2020-2021 EST/Sloan Commission. Recent productions include Immersion, Gauchos Americanos, and the upcoming musical Telo. Mesri has been an Emerging Artist of Color Fellow at NYTW, a Van Lier fellow at Repertorio Español, and the recipient of an ASCAP Scholarship. His adaptation of Fuenteovejuna received the HOLA Outstanding production award. He has also translated dramatic works for the Lark US/Mexico Exchange and PEN World Voices. He received his MFA from Columbia University.
Julha Franz, 2019
Coming from a place of sexual and gender liberation, Julha Franz (Brazil, 1993) pushes boundaries with her own body. Through the language of performance art, she creates new forms of imposed body and social identities. She has been awarded artistic residencies in Venice, Italy, 2017, and Buenos Aires, Argentina, 2015 and 2014. She has participated in collective exhibitions, mainly art performance festivals, such as VERBO – Galeria Vermelho (where she participated in two consecutive editions in 2017 and 2018). In 2018, she was nominated for the French Aliance Contemporary Art Award.
Juju Angeles, 2009
Occupying Ohlone Territory (Oakland, CA), Juju is mothering, homeschooling, working with plants, and supporting people through their pregnancy, labor, birth, and postpartum journey. She graduated with a degree and a lot of debt from a Creative Writing program and facilitated spaces encouraging “marginalized” communities to tell their own stories. As an AfroTaino person, they are reclaiming and remembering their traditional practice as a form of decolonization. In 2014, they started Babymamahood, an online platform to dismantle, reimagine, and reclaim solo parenting for women and people of color in the hood.
José Pérez IV, 2008
José Pérez IV is a fight choreographer, theatre maker, teacher, and performer. He holds an MFA in Performance Pedagogy from the University of Pittsburgh and a BFA in Drama from NYU’s Experimental Theatre Wing. José has made fight theatre in a moving car (Orlando Fringe), in the Smoky Mountains of North Carolina, and on the streets of Greenwich Village.
Jonathan McCrory, 2010
Harlem-based Jonathan McCrory is an Obie Award Winning artist & Audelco Nominated, Harlem-based artist who has served as Director of Theatre Arts Program at Dr. Barbara Ann Teer’s National Black Theatre since 2012. He has directed numerous productions, including Dead and Breathing, HandsUp, Hope Speaks, Blacken the Bubble, Asking for More, Last Laugh, and Enter Your Sleep. In 2013, he was awarded the Emerging Producer Award by the National Black Theatre Festival in Winston Salem, North Carolina, and the Torch Bearer Award by theatrical legend Woodie King Jr.
Jesse Phillips-Fein, 2012
Jesse Phillips-Fein is a Brooklyn born and based dancer, choreographer, educator and mama. Her work has been presented at venues in New York, New Jersey, Colorado and Maine, and her writing on dance and race is published in several anthologies.
Jennifer Celestin, 2013
Jennifer Celestin is a writer, performer, and facilitator from Brooklyn, NY. She received her B.A. from Wesleyan University, an M.A. in Humanities at NYU and an M.F.A. in Fiction at CUNY: Queens College. She has performed at numerous venues in NYC and her publication credits include No Dear, Magazine and The Hawai’i Review. She knows ou kapab leer esto. Li invite’ou to her multilingual imaginación.
Jennif(f)er Tamayo, 2016
Jennif(f)er Tamayo is a queer, migrant, formerly undocumented poet, essayist, and performer currently living and working on Patwin and Ohlone lands. JT is the daughter of Nancy, Flora, Leonor, Sol, and Ana. Her poetry and art collections include [Red Missed Aches] (Switchback, 2011), Poems are the Only Real Bodies (Bloof Books 2013), DORA/ANA/GUATAVIT@ (RSH 2016), YOU DA ONE (2017 Noemi Books & Letras Latinas’s Akrilica Series), and to kill the future in the present (Green Lantern Press 2018). She’s a Cancer sun & Leo rising.
Jeca Rodríguez Colón, 2013 (and Invited Alumni Faculty 2015–16)
Jeca Rodríguez Colón is a Puerto Rican artist and emerging scholar living in New York City. She is currently a doctoral candidate in philosophy, aesthetics and art theory at IDSVA. Through her academic and creative work, she questions the societal prescription of motherhood and how aesthetic representations of the maternal influences maternal subjectivity and performances. Her work has been presented in the Americas, Europe and at the Museum of Contemporary Art in Tapei. Jeca was also part of the EmergeLab at BAX in 2014 and participated at the Encuentro in Montreal.
Janine Renee Cunningham, 2018
Brooklyn based organizer and theater-maker, Janine Renee Cunningham has presented work at the Prelude Festival and On the Boards, among others. She holds a BA in International Studies from Portland State University and is completing her MFA in Interdisciplinary Art from Goddard College.
janet e. dandridge, 2019
janet e. dandridge is an Interdisciplinary Artivist who encourages awareness and discourse around, as well as solutions to, ideologies that perpetuate injustice. janet intersplices theatrical performance, photography, empirical data, identity politics, and whimsy into a keen reflection on social constructs and governing policies. Primarily using performance art, interactive installations, and abstract photography, janet examines trauma and resilience, geometric therapy, normalized racism, Otherness, and the power of Black women. As an example of her work, in Amendment: Knell of a Nation (AKN), janet uses her body as a beacon of strength to physically remove the dehumanizing and marginalizing weight of greed embedded in the symbolism of the American flag.
Isadora Frost, 2019
Isadora Frost (Brasil, 1985) graduated from PUC São Paulo in 2009 with a degree in Performance Art and Dance. In 2014, Frost completed her degree in Fine Arts at The San Francisco Art Institute. In 2018, she received a Masters degree in Photography from Parsons School of Design at The New School and was an EmergeNYC participant at NYU 2019. Frost’s work mixes media and deals with the relationship between the body, space, and communities. Since 2008, her work has been featured internationally in Brazil, San Francisco, New Zealand, India, New York, Russia, China, Munich, London, and Finland.
Irisdelia Garcia, 2020
Irisdelia Garcia (she/they) is a Puerto Rican interdisciplinary artist from The Bronx, NY. Her work centers Puerto Rican history, embodiment in gender, colonialism, and digital storytelling. She is a member of Queer and Now’s Digital Cabarets, digital humanities lab IRLHumanities, and a collaborator of La Pocha Nostra. Garcia is currently a director and editor for Ping Chong and Company. Garcia was an inaugural Generation NYZ Fellow for Ping Chong + Company (2019-2020). She holds a BA in English with a concentration in Digital Humanities at Amherst College and a Multicultural Theater Practice Certificate through the Five College Consortium. Research question: How can I capture vulnerability without the pressure of surveillance through the screen?
Grace Taylor Rae, 2019
Grace Taylor Rae is an artist who works in movement, language and form. She graduated from Williams College with a BA in English and Philosophy in 2013. Grace creates through multidimensional linguistics, liberatory geometries and embodied narrative. Her work is guided by frameworks that affirm love, consent and reparative ecology. In EMERGE ’19 she focused her process in reimagining-as-healing the intersections of birth, memory, matter and time. Grace lives on unceded Abenaki territory (Upper Valley, Vermont).
Giseli Vasconcelos, 2013
Giseli is a cultural worker and interdisciplinary artist from Brazil based in US. She has been organizing festivals, workshops, exhibitions and publications that discuss media and technology related to the Brazilian scene of art and activism. Most of the projects are collaborative process that highlights practices on tactical media and radical pedagogies related to internet culture. Her work has already been presented in Quito (LabSurLab), Amsterdam (N5M), New Delhi (Sarai), Vienna (MQ21), Berlin (Radical Networks), São Paulo (31st Biennial of São Paulo, Sesc Pompeia), Rio de Janeiro (Capacete, Lastro).
Girino (aka LUA), 2017
Girino (aka Lua) is a Brazilian video & movement artist and scholar based in Brooklyn, and current PhD candidate at NYU’s Performance Studies. Their work happens amidst performance art, expanded cinema, contemporary dance, independent documentaries and undocumented phenomena. They are drawn to insurgent transgendering, prehensive performances, racial speculativity, precarious consistencies, abyssal subjectivities, micropolitical glitches, insistent choreographies and general delinquency.
Gethsemane Herron-Coward, 2016
Gethsemane Herron-Coward is a poet/playwright from Washington, D.C. She has developed work with JAG Productions, The Hearth, Magic Time@Judson, and Playwright’s Playground at Classical Theatre of Harlem. She is alumna of 24Hour Plays-Nationals and The Fire This Time Festival. She has held residencies at The Virginia Center of the Creative Arts and the Millay Colony, where she was the recipient of the Yasmin Scholarship. She has been a finalist for Space on Ryder Farm, among others. She holds a B.S. from the University of Wisconsin-Madison and MFA from Columbia University.
Gabriela Espinosa, 2015
Gabriela es creadora interdisciplinaria e intérprete de las artes escénicas, y ejerce como artista educadora y gestora cultural en Chile y Latinoamérica. Ha desarrollado una carrera creativa y artivista vinculada a temáticas e intervenciones socio-políticas. Se titula en Teatro en la Universidad Católica de Chile para luego especializarse en espacio público, pedagogía del oprimido, política y performance, y educación artística comunitaria. Actualmente ejerce su práctica en el norte de Chile trabajando en proyectos que vinculan arte y educación, colaborando con movimientos feministas y organizaciones afrodescendientes y es la actual profesora de Teatro del único Liceo Artístico de Arica.
Gabriel Torres, 2020
Gabriel Torres is a Colombian, NYC-based, multidisciplinary artist and community organizer. Gabriel works at the intersection of theatre performance, film and community development. He has directed productions in Colombia, NYC and Hong Kong. During his time at Emerge, Gabriel investigated links between his ancestry and his present time, and how trauma affects those connections.
Frantz Jerome, 2008
An inaugural EMERGENYC cohort (2008) and 2050 Legacy ensemble member, Frantz Jerome collaborated with The Hemispheric Institute and participated in two Encuentros in São Paulo, Brazil (2013) and Montreal, Canada (2014). Frantz was invited to perform Spoken Word poetry by Harry Belafonte at The Interdependence Day Conference sponsored by DEMOS in Berlin, Germany (2010). He is a founding member of the artivist performance collective The Peace Poets, and staff writer for the PoC geek cultural editorial, Black Nerd Problems. Frantz holds a BA in Writing and Democracy from The New School.
Francheska Alcántara, 2016
Francheska is a multidisciplinary artist hailing from The Bronx who looks at domestic life and signifiers of Caribbean culture and the diaspora to explore slippages of identity, fragmentation, and longing. They graduated with a MFA in Sculpture + Extended Media from Virginia Commonwealth University, and hold a BFA in Painting from Hunter College and a BA in Art History from Old Dominion University. In addition, she’s a U.S. Navy veteran. Alcántara has exhibited and performed work at the Brooklyn Museum, the Bronx Museum of the Arts, the Queens Museum, La Mama Theater, Grace Exhibition Space, and BronxArtSpace.
Emma Alabaster, 2014
Emma Alabaster is a bassist, vocalist, and composer who grew up in Brooklyn, NY, and works in NYC as a musician and educator. Her primary project is decibelists, an experimental anti-gentrification pop band she co-leads with Leo Ferguson. Emma has worked with the luminary poet Cornelius Eady as Musical Director for his band Rough Magic and in collaboration with many musicians and artists of other disciplines. She is an arts educator in NYC schools, shelters, and community centers, and was Lincoln Center Boro-Linc’s 2017 Artist-in-Residence at Snug Harbor Cultural Center. In her “free time” Emma leads songs and chants at protests.
Emilio Martínez Poppe, 2018
Emilio Martínez Poppe is an artist working across installation, performance, participatory projects, and research-based collaborative projects. Their work engages collectivity, its practices, and lived/speculative legacies of belonging through spatial or linguistic formations. Emilio has exhibited their work at FIERMAN, the Queens Museum, CUE Art Foundation, and Flux Factory in New York City; Vlaams Cultuurhuis de Brakke Grond, in Amsterdam. They have been an artist in residence at Abrons Arts Center and Pratt Institute; and a fellow at The Laundromat Project. Emilio is currently an MFA-MCP dual-degree candidate at the University of Pennsylvania and a member of BFAMFAPhD.
The EmergeLAB@BAX is comprised of alumni of the EmergeNYC program and takes place at BAX. The goal of the LAB is to provide a non-curated, non-hierarchical space for artistic development, where the artists determine their own frameworks and processes for experimentation and growth. The artists in the inaugural cohort are: Sabina Ibarrola (2013), Jeca Rodríguez Colón (2013), Mette LouLou von Kohl (2013), Guy Yedwab (2013), Dominic Bradley (2012), Samantha Galarza (2012), Benjamin Lundberg (2012), Jesse Phillips-Fein (2012), Katrina De Wees (2011), Mary Notari (2011), Maria Schirmer (2011), Mieke D (2009), and Megan Hanley (2009).
Elena Rose Light, 2017
Elena Rose Light is a choreographer and performer originally from Southern California. Her choreography is rooted in the potential for somatic empathy to reorganize systems of thought and governance. Her work has been presented by Abrons Arts Center, Gibney, Center for Performance Research, and Brooklyn Arts Exchange, among other venues. Recent grants/honors include the FCA Emergency Grant, danceWEB scholarship at ImPulsTanz, LANDING mentorship, and Chez Bushwick residency. She received a BA with honors in French and art history from Yale University, where she became enamored with experimental performance.
Effie Nkrumah, 2017
Effie Nkrumah is an interdisciplinary artist and poet of Ghanaian descent brought up in Sydney, Australia. She has worked creatively between Sydney, Accra, and New York granting her a unique sense of humour, aesthetic & keen observation. She holds an MA in Arts Politics from NYU.
Edgar Javier Ulloa Luján, 2015
Édgar J. Ulloa Luján is a performance artist and poet from Ciudad Juárez, México. He founded a pioneer multimedia poetry blog Mi Juaritos. His performances negotiate border politics, cultural memory, trauma, immigration, and violence in addition to instigating audience and public participation. Ulloa has performed in PEN World Voices Festival–PEN America, México Now Festival in NYC, and The Poetry Festival in México City. Ulloa’s work was included by CONACULTA in the first national anthology of visual poetry in México. He was the 2016 Emerge-Surface-Be Poetry Fellow from the Poetry Project in NYC.
Dominic Cinnamon Bradley, 2012
Dominic Cinnamon Bradley is a Black gender non-conforming, ‘crip and sick’ multidisciplinary artist from the Dirty South. Dominic also holds a Master’s Degree in Social Work from Columbia University. A 2012 EMERGENYC alum, Dominic continues to develop performance that illuminates the lived experience of disability. Dominic believes what is spoken can be acknowledged, what is acknowledged can be examined, and what is examined can be transformed. Dominic’s approach to performance is identity-based, experimental, and frequently involves spiritual seeking.
Doménica García, 2019
Doménica García is an Ecuadorian video and performance artist based in NY. She obtained a BFA in Film at the School of Visual Arts, 2018. Her work dives into a process of introspection, breaking down the personal and discovering the universal. By juxtaposing the radical and the ordinary, she gives greater relevance to the day to day experience.
Dennis Redmoon Darkeem, 2012
I am inspired to create art work based on the familiar objects that I view through my daily travels. I ultimately set out to express a meaningful story about events in my life and those found with the communities I work. I utilize different media in the creation of my work. This allows for great versatility and a rich viewer experience as the eye uncovers the multiple layers that often characterize mixed media art. Much of my art has focused on issues like institutionalized racism and classism, jarring stereotypes, and displacement of people of color.
Denae Hannah, 2012
Denae Hannah, a native of Fort Worth, Texas, is a performance artist, social entrepreneur, and Artistic Director and CEO of Denae Dance Theatre. She received her B.A. in Drama from Stanford University and M.F.A. in Performance and Choreography from Florida State University. Ms. Hannah was a 2012 EMERGENYC artist and a 2012-2013 Commissioned Artist at Stanford University. Her work was performed for Parent’s Weekend and for the Dance Division’s winter dance concert “Performing Past, Fast Forward: The Body in 3D.”
Damariz Damken, 2019
Damariz Damken is an artivist from the Rio Grande Valley Frontera of South Texas. She graduated from New York University in May 2019 with a concentration in Politics, Rights, and Development and Latin American Studies. Growing up on both sides of the border as a first-generation citizen from a Mexican immigrant family and daughter of undocumented parents, her work explores fronterizx landscapes to reclaim and deconstruct hemispheric border imaginaries as an approach to social justice and human rights.
Courtney Surmanek, 2018
Courtney Surmanek (they/them) is a multidisciplinary artivist (theatre-maker, visual artist, poet and organizer) living between Virginia and New York. They are a 2022 MFA/MS Candidate in Theatre: Directing & Public Dialogue and Urban & Regional Planning at Virginia Tech. 2018-19: Artist-in-Residence at Queens Library with ProjectArt, Fellow at The Performance Project at University Settlement and Participant in Theater of Change: Artistry, Law, and Activism with Broadway Advocacy Coalition at Columbia Law School. From 2017-18, they participated in the Mitchell Art Gallery’s Artist-in-Residence program, The Art & Law Program, and the C4AA’s Art Action Academy.
Claudia Sofía Garriga López, 2010
Claudia Sofía Garriga-López is an Assistant Professor of Queer and Trans Latinx Studies in the Department of Multicultural and Gender Studies of California State University, Chico. After participating in EMERGE Claudia went on to be a part of the Art and Resistance course in San Cristóbal de las Casas, México. She is thrilled to be a part of the hemi family because there are always events, programs, and people, that bring politics and art together in meaningful ways.
Clarivel Ruiz, 2017
We, the daughter from the land called Kiskeya Ayiti (aka Hispaniola aka Dominican Republic and Haiti), a land colonized but never conquered, raised in New York City on the ancestral bones and covered shrines of the Lenape people. Founder, Dominicans Love Haitians Movement, an art practice developed to heal wounds created by racial divides and historical myths. Educational Equity coach at CSS, Metro NYU. Asé.
Clare Barron, 2008
Clare Barron is a playwright and performer from Wenatchee, Washington. Her plays include DANCE NATION, which was the recipient of the Susan Smith Blackburn Prize and the Relentless Award, and recently received its world premiere at Playwrights Horizons in New York City and the Almeida Theatre in London. Other plays include YOU GOT OLDER (Obie Award), and I’LL NEVER LOVE AGAIN.
Chris Tyler, 2012
Chris is a Los Angeles-based playwright and performing artist examining the intersections of popular culture, collective action and digital identity. Recent projects include the Make America series (Ars Nova), Their food tastes better when they see us starving (The Brick), flesh failure (The Civilians’ R&D Group), R*NT (University Settlement), and TOTAL REJECTS LIVE!!! (Public Theater/Under the Radar Festival). His performance style has been called “equal parts hilarious and chilling” (Fusion), “precise-yet-butchered” (Out Magazine) and “so cute” (Taylor Swift). AB: Brown University.
Chelsea Gregory, 2016
Chelsea Gregory is a dance theater artist, cultural organizer and facilitator who weaves embodied arts together with equity work, community building, healing and restorative practices. She is inspired by working with brilliant folks like Urban Bush Women, Artists Co-Creating Real Equity, Cornerstone Theater Company, PowerTools for Progress, PopUP Theatrics and others that bring about radical change through creative process.
Carolina Tapias Guzmán, 2011
Carolina is a theatre teaching artist and cultural worker whose practice of theater and performance focuses on collective artistic creation that links the personal with its context. Victoria holds a Fine Arts degree from the National University of Colombia, and an MA in Applied Theatre and Performance from Goldsmiths College, University of London. She has led educational programs at the Cartoon National School, the National Museum and the Children and Development Corporation in Colombia. Currently, Victoria is a collaborator of Madalenas Teatro das Oprimidas.
Branden Jacobs-Jenkins, 2008 (and Invited Alumni Faculty, 2015–16)
Branden Jacobs-Jenkins’ plays include Neighbors (Public Theater), Appropriate (Signature Theater, OBIE Award for Best New Play, Outer Critics Circle nominee), An Octoroon (Soho Rep, OBIE Award for Best New Play), War (Yale Rep, forthcoming), and Gloria (Vineyard Theater, forthcoming). He is a Princeton alum from the Class of 2006 and holds an MFA in Performance Studies from NYU. In 2016, he became a MacArthur Fellow.
Bex Kwan, 2016
Bex Kwan Bex Kwan is a multimedia artist, organizer, social worker, and athlete. They are a core trainer with the Anti Oppression Resource and Training Alliance (AORTA). Bex is currently in collaboration with Sophia Mak (EMERGE’16) creating performances which unearth secret histories of foreignness, family mythologies, and kinship in East Asian communities in the United States. soandbex.com.
Benjamin Lundberg Torres Sánchez, 2012 (and Invited Alumni Faculty, 2013)
Benjamin Lundberg Torres Sánchez (b. 1987, Bogotá) uses their art & facilitation to transform individual witness into collective action. As a queer, transnational adoptee, their work resists ways the state hijack individual & collective bodies to fulfill performances of power across imaginary borders & boundaries. Lundberg Torres Sánchez’s work has been shown in the U.S. at the Queens Museum, Museum of the Moving Image, The Mills Gallery at Boston Center for the Arts, RISD Museum, and the Knockdown Center to name a few. Their work has been presented internationally in Montreal, Mexico City, Santiago de Querétaro, São Paulo, Lima, and La Paz. They are the founder and co-curator of the performance and exhibition series, Se Aculilló?, and were the Rhode Island State Council on the Arts 2017 and 2018 Merit Fellow in New Genres and Film & Video respectively. (Image © Alexis Wilkinson 2018)
Beatrice Glow, 2008
Beatrice Glow is an artist and multisensory storyteller leveraging installations, experiential technology and olfactory art to shift dominant narratives. She has been named a Smithsonian Artist Research Fellow, Smack Mellon Artist, American Arts Incubator artist, Asian/Pacific/American Institute at NYU Artist-in-Residence, Honolulu Biennial artist, Wave Hill Van Lier Fellow, Hemispheric Institute Council Member, Franklin Furnace Fund recipient and Fulbright Scholar.
Azure D. Osborne-Lee, 2014
Azure D. Osborne-Lee (he/him, they/them) is an award-winning Black queer theatre maker from south of the Mason-Dixon Line. Azure is the founder of Roots and River Productions, and a Recipient of Parity Productions’ 2018 Commission for Women and Transgender Playwrights, Winner of Downtown Urban Arts Festival’s 2018 Best Play Award as well as the 2015 Mario Fratti-Fred Newman Political Play Contest.
Ashley Marinaccio, 2008
Ashley is a theatre artist and scholar who creates work to challenge the status quo. She is dedicated to documenting the socio-political issues that define our times. As a director and playwright, her work has been seen off-Broadway, at the White House, United Nations, TED conferences across the United States, Europe and Asia. Currently, Ash is working on her Ph.D. in the Department of Theatre and Performance at the CUNY Graduate Center, where she is focusing on theatre and war.
Ariel Speedwagon, 2010
Ariel Speedwagon’s work has been seen extensively on Broadway, Lafayette, Fulton, Chrystie, Avenue A, Leonard, and many other fine streets and avenues throughout New York City. Trained as a modern dancer, Ariel’s inherently interdisciplinary work has taken many forms — interactive sculpture, modern dance and dance theater, drag performance and burlesque, collective mapmaking, clowning, and video art. Most interested in the intersections of storytelling, participatory environments, magic, and democratizing knowledge, Ariel has tap danced about limericks, lectured about unicorns, made slapstick about apartheid, and built telephones that tell secrets.
Arantxa Araujo, 2017
Arantxa is a Mexican multidisciplinary artist with a background in neuroscience based in NYC interested in repetition and duration to access heightened states of awareness. Their work explores biobehavioral research, gender constructions and politics of migration; its affects and consequences in the construction of identity. They hold an MA in Motor Learning and Control from Teachers College. CONACYT scholarship holder, 2012.
Anthony Rosado, 2015
As an AfroBoricua multidisciplinary artist and educator I am here to ensure resources for marginalized artists, platforms for inter-community conflict resolution, and be an example of a strong Revolutionary Queer man of Taino and African descent for youth who need one. Born in Bushwick and bred between here, East New York, Brownsville, and Jamaica-Queens I am Anthony Rosado, a creator and curator committed to producing events for the sake of community, city, state, country, and earth wide conversations that aim to organize and mobilize against the many faces of neocolonialism.
Angela Veronica Wong, 2018
Angela Veronica Wong is a poet, writer, artist, and educator based in NYC. She is the author of elsa: an unauthorized autobiography (Black Radish 2017). Chapbooks include the Poetry Society of America New York Fellowship winning Dear Johnny, In Your Last Letter. Poems have been anthologized in Please Excuse This Poem: 100 poems for the next generation and Best American Poetry (collaboration with Amy Lawless). Fiction has appeared Denver Quarterly and other journals. Performance work has been featured in independent galleries in Buffalo, Toronto, and New York City.
Andrea Ambam, 2020
Andrea Ambam is an NYC-based artist, actress, and playwright whose roots sprout from Cameroon. As a politically engaged theatre artist who believes in the art’s potential for movement building and transformative justice, her current work centers Black lives and embodied ethnography. She is a 2020 Artist-in-Residence for Anna Deavere Smith’s class “One Person Shows,” a 2020 EmergeNYC Fellow, a fellow at Girls Write Now, and a 10-time national champion in public speaking and dramatic performance where she has been awarded “Top Speaker in the Nation” three times. She has performed at, written for, and/or been commissioned as an educator/speaker by Classical Theatre of Harlem, Abrons Arts Center, NYU Prison Education Program, NYU Verbatim Performance Lab, Artists’ Literacies Institute, Free Street Theater, and Centre for Social Innovation. Andrea has a Master’s degree in Art & Public Policy (NYU Tisch School of the Arts).
Ana Laura Ramírez Ramos, 2017
Ana Laura is a Mexican artivist and cabaret performer who enjoys making humor. Based in Mexico City, she is the founder of the cabaret company Parafernalia Teatro (2011) and a member of Las Reinas Chulas Cabaret y Derechos Humanos AC (2013). She is a FONCA Scenic Creators scholarship holder (2017).
Amelia Uzategui Bonilla, 2009
A dance artist, researcher, and educator, Amelia embodies her identity as a descendant of Andeans, Africans, and Criollos. Graduate of Juilliard Dance and the Tamalpa Institute. Founder of Río Danza Comunitaria, promoting ecological activism in Perú. She continues to collaborate with artists and institutions in Peru, California, and Germany. She pursues her MA in Contemporary Dance Education at the HfMDK-Frankfurt.
Amalia Oliva Rojas, 2020
Amalia Oliva Rojas is a Mexican playwright, poet and theater artivist based in New York. Her work explores and defies the American Theater’s gaze upon immigrant women and BIPOC stories. She is an alumnus of Vassar College Powerhouse Theater Apprentice Program. Her work has been presented and workshopped at Lehman College, Vassar College, Manhattan Repertory Theater, Nuyorican Poets Cafe, Americas Society/ Council of the Americas, Abington Theater Company, among others. Amalia was a writing fellow for Pen America’s DREAMING OUT LOUD writing workshop and a lab member for New Perspectives Theater Company Women’s Work Lab. During her time at EMERGE, Amalia explored the fetishization of undocumented youth by non-profit organizations.
Alejandro Chellet, 2018
Alejandro Chellet is a multidisciplinary artist and social practitioner in cultural and permacultural networks. He was born in Mexico City raised in a family of artists and performers, he currently lives between Upstate NY where he practices permaculture and NYC-CDMX where he is also a cultural producer curating and providing exhibition space for other artists. His artwork functions in close relation with the audience primarily making use of waste, public space, architecture and performance: addressing the misplaced core principles of coexistence, the loss of connection with Nature cycles, and the political and environmental context of urban societies.
Aisha Jordan, 2008
Aisha Jordan is an Actor, Writer, Producer with a B.A. from The New School and M.A. from NYU Tisch. She is Artistic Director of social justice theater ensemble 2050 Legacy, Staff Writer for BlackNerdProblems.com, host of podcast 2Nerds and an Actor, Executive Produces #HashtagTheShow, acting credits include HBO’s Random Acts of Flyness.
blacknerdproblems.com • IG: @aishaj28 • Twitter: @aishaj28